A fictitious narrative is being created in place of history, just as mythology is being promoted as science
She grew up during India’s fight for freedom under the guidance of Mahatma Gandhi and is among the country’s foremost writers with feminist concerns. But Nayantara Sahgal, a member of the Nehru-Gandhi family, says that contemporary Indian history is being fantasised, the minorities are under threat and there’s a long fight ahead to preserve the “true meaning of India”. “In the BJP-ruled states, history is not just being rewritten. It is being fantasised. The Mughal empire is being ruled out of it. (Jawaharlal) Nehru has been wiped out of it. A fictitious narrative is being created in place of history, just as mythology is being promoted as science.
“The threat to the minorities and attacks on them, especially Muslims, and all others who do not fall in line with the ruling (party’s) ideology are destroying India’s great achievement of unity in diversity and the democratic freedoms and equality that Indian citizens have enjoyed since independence,” Sahgal told our reporter in an email interview from Dehradun, where she is settled.
“We, for whom India is a secular, democratic, inclusive republic — whose citizens have grown up in freedom — can never settle for less, and the protests against the crushing of dissent and debate are coming from many different groups: Writers, historians, scientists, students, professors and Dalits. One cannot despair of an India that refuses to bow down to any form of dictatorship. But there is a long fight ahead to preserve the true meaning of India,” she added.
Sahgal, along with a host of leading literary stalwarts, returned her Sahitya Akademi award in 2015 to protest against rising intolerance in the country. While many joined the silent protests with black gags and bands that rocked the Rabindra Bhavan (which houses the Sahitya Akademi here), there was “an equal music” from the other end of the political spectrum.
Those opposed to these spontaneous protests questioned the motives of the protesting writers, dubbed them as politically motivated by people with “vested interests” and questioned why these writers couldn’t show the “social reality” that they are protesting against through their writings.
Two years later, Sahgal is out with her novel “When The Moon Shines By Day” (Speaking Tiger/Rs 399/168 pages). It is a fitting response to the contemporary state of affairs, and is billed as a “dystopian satire” that draws a telling portrait of our times. In this extremely symbolic work of fiction, Sahgal achieves the rare feat of critical imagination and elegantly wraps it around “her deepest concerns”.
And, therefore in the novel, a character finds her father’s books on medieval history disappearing from bookstores and libraries. Her young domestic help, Abdul, discovers it is safer to be called Morari Lal on the street, but there is no such protection from vigilante fury for his Dalit friend, Suraj. Kamlesh, a diplomat and writer, comes up against official wrath for his anti-war views. Sahgal said that all writers tell different stories, out of differtent backgrounds and urges, but maintained that her own “background has been political so politics is my natural material”.